AIC's 46th Annual Meeting has ended

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AIC's 46th Annual Meeting

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8:20am MDT

Opening General Session - Welcome and Awards Texas Ballrooms A-DMargaret Holben Ellis

9:00am MDT

Materiality and Immateriality in Conserving Contemporary Art Texas Ballrooms A-DGlenn Wharton

9:30am MDT

Practicing what we preach: An argument for the recognition and preservation of a material culture of conservation Texas Ballrooms A-DCarrie McNeal

10:00am MDT

Break in the Exhibit Hall Texas Ballrooms E-H (Exhibit Hall)

11:00am MDT

Preserving Innovation: Considering the Treatment and Materiality of 3D Printed Objects in Museum Collections Texas Ballrooms A-DVanessa Applebaum

11:30am MDT

The Physical Nature of Digital & What it Means for Conservation Texas Ballrooms A-DCrystal Sanchez • Lauren Sorensen

12:00pm MDT

Opening General Session Discussion Session Texas Ballrooms A-D

1:15pm MDT

Emerging Conservation Professionals Network (ECPN) Informational Meeting Tanglewood Meeting RoomRebecca Gridley • Kari Rayner

2:00pm MDT

(Architecture + Archaeological Conservation) Digging Deep: The Importance of Collaborations between Architectural Conservators and Archeologists Texas Ballroom CMary A. C. Jablonski (Book and Paper) Washi: Understanding Japanese paper as a material of culture and conservation Texas Ballroom DBrook Prestowitz • Yuki Katayama (Electronic Media) Rewind, Pause, Playback: Addressing a Media Conservation Backlog at the Denver Art Museum Briargrove Meeting RoomEddy Colloton • Kate Moomaw (Objects) Manipulating Materials: Preparing and Using Paraloid B-72 Adhesive Mixtures Texas Ballroom BStephen Koob-[Fellow] (Paintings) Surprise Encounters with Mummy Portraits at the Art Institute of Chicago Texas Ballroom ARachel C. Sabino-[PA] • Emeline Pouyet • Federica Pozzi • Ken Sutherland • Marc Sebastian Walton (Photographic Materials) Comparison of LED, L-37 Filtered Xenon Arc, and Glass-Filtered Cool White Fluorescent Illumination in the Light Fading and Light-Induced Staining of Color Photographs Hunters Creek Meeting RoomHenry Wilhelm • Richard Adams (Research and Technical Studies + Textiles) Fiber and Yarn Cross-section Sample Preparation Methods for Effective Plant Fiber Material Characterization and Identification River Oaks Meeting RoomRunying Chen • Tom Fink (Wooden Artifacts) Inside the Frames of Stanford White: A Technical Study Kingwood Meeting RoomTess Graafland (Collection Care) Stash Flash V – Storage Tips Session Meyerland Meeting RoomRachael Arenstein • Lisa Goldberg • Dorothy Cheng • Isaac Facio • Alison Reppert Gerber • Sarah Gordon • Marieka Kaye • Morgan Nau • James S. Thurn

2:30pm MDT

(Architecture + Archaeological Conservation) Loves Me like a Rock: Care and Preservation of Ancient Graffiti in a Rock-Cut Kushite Temple Texas Ballroom CSuzanne Davis • Janelle Batkin-Hall • Caroline Roberts (Book and Paper) Optical Clearing of Repair Tissues for the Treatment of Translucent Papers Texas Ballroom DRoger S. Williams (Electronic Media) Archiving Computer-based Artworks Briargrove Meeting RoomJonathan Farbowitz (Objects) Visible effects of adhesive and pressure on color in kingfisher feathers Texas Ballroom BEllen Pearlstein (Paintings) A Convenient Method: Canvas Painting in 16th Century Florence Texas Ballroom AJean Dommermuth-[Fellow] (Photographic Materials) Evaluation of Hydrolytic Accelerated Aging Protocols on Cellulose Acetate Hunters Creek Meeting RoomCarolyn Carta • Katharina Hoeyng • Herant Khanjian • Joy Mazurek • Kristen McCormick • Michael R. Schilling (Research and Technical Studies + Textiles) Untangling Indian Hemp: Understanding and Identifying Common Plant Fibers Used by Native Americans in the Woodlands Region River Oaks Meeting RoomNora Frankel • Susan C. Heald • Thomas Lam (Wooden Artifacts) A case study of the examination and conservation treatment of a mid-18th c. American made chair, and the processes of recreating missing carved elements using traditional methods. Kingwood Meeting RoomChristine Storti • Gordon Hanlon

3:00pm MDT

(Architecture + Archaeological Conservation) A Collaborative Model for Rock Art Conservation in the Algerian Desert Texas Ballroom CHakim Bouakkache • Julia M Brennan-[PA] (Book and Paper) Cocktails and mixers: Ethanol-modified treatments for iron-gall ink. Texas Ballroom DJulie Biggs • Lynn Brostoff • Andrew Davis • Claire Dekle • Cyntia Karnes-[PA] • Yasmeen Khan • Susan Peckham-[PA] • Cindy Connelly Ryan (Electronic Media) Conservation Surveys for Time-based Media Art Collections Briargrove Meeting RoomMona Jimenez (Objects) Manganese Stain Reduction on an Ancient Greek Terracotta Vase Texas Ballroom BSusan Costello • Katherine Eremin • Georgina M. Rayner (Paintings) Material Insights and Challenges in the Treatment of Maarten de Vos’ "Portrait of a Woman" Texas Ballroom AKari Rayner • John Delaney • Kathryn Dooley • E. Melanie Gifford-[Fellow] • Michael Palmer (Photographic Materials) Platinum and Palladium Photographs - Rediscoveries Hunters Creek Meeting RoomConstance McCabe (Research and Technical Studies + Textiles) The Norwich textile reference database, a collections care project River Oaks Meeting RoomDr. Jocelyn Alcantara Garcia • Michael Nix (Wooden Artifacts) Thomas Sheraton's "Red Oil" Kingwood Meeting RoomDavid Bayne

3:30pm MDT

Break in the Exhibit Hall Texas Ballrooms E-H (Exhibit Hall)

4:00pm MDT

(Architecture + Archaeological Conservation) Evaluation of Organosilicon Materials for Conservation of Ancient Grey Bricks Texas Ballroom CYue Yuan • Zhengrong Fu • Chenglei Meng • Jie Mi • Xiaozhen Wang • Hui Zhang (Book and Paper) Chancery Master Exhibits - piecing it back together Texas Ballroom DSonja Schwoll-[ACR] • Dr. Lora Angelova • Rose Mitchell (Collection Care) Making the Most of What You Have: Digital Documentation Solutions Utilizing Existing Software Meyerland Meeting RoomRaina Chao-[PA] • L. H.(Hugh) Shockey-[PA] • Mike Peters (Electronic Media) Sounds Challenging: Documenting the Identity and Iterations of Ragnar Kjartansson's "The Visitors" Briargrove Meeting RoomAmy Brost (Objects) Loss Compensation on Ceramics using Photogrammetry, Digital Modeling and 3D Printing Texas Ballroom BKathleen Garland-[Fellow] • Stephanie Spence • R. Bruce North (Paintings) Unusual activities between image and panel: a sixteenth-century painting of St. Catherine in the Yale University Art Gallery Texas Ballroom AAnnika Finne • Irma Passeri (Photographic Materials) Finding a Balance: Conservation of the Dolley Madison Cased Image from the Greensboro History Museum Hunters Creek Meeting RoomMonique C. Fischer-[Fellow] • Terra Huber-[PA] (Research and Technical Studies + Textiles) A sizable sooty soiled surface: Analyzing and evaluating methods for surface cleaning a large painted muslin River Oaks Meeting RoomSusan C. Heald • Nora Frankel • Gwenaelle Kavich • Thomas Lam • Nicole Little • Annaick Parker • Megan Doxsey Whitfield

4:30pm MDT

(Architecture + Archaeological Conservation) Preventive conservation training in the Moche Valley, Peru Texas Ballroom CJessica Walthew • Alicia Boswell (Book and Paper) Peregrinations of an 18th-Century Armenian Prayer Scroll Texas Ballroom DXiaoping Cai • Emily Williams • Sylvia Albro-[PA] • Levon Avdoyan • Lynn Brostoff • Claire Dekle (Collection Care) How to Label Everything – A Review of Current Best Practices in Natural History Labelling Meyerland Meeting RoomLuci Cipera • Erika Range (Electronic Media) VR tools as spatial documentation Briargrove Meeting RoomJack McConchie (Objects) The Use of 3D Printing for Casting Proportional Replicas Used in the Treatment of Articulated Skeletons Texas Ballroom BChristine E Haynes • Julia Sybalsky • Fran E. Ritchie (Paintings) Research and Conservation of Peter Paul Rubens, The Raising of the Cross, oil on paper, 1638 Texas Ballroom ASandra Webster Cook • Kate Helwig • Dr. Alexandra (Sasha) Suda (Photographic Materials) Investigation of Portrait with Applied Oil Color Hunters Creek Meeting RoomAbbott Nixon • Luisa Casella (Textiles) Practical Applications of Conservation and Restoration Strategies for Historical Clothing in Uncontrolled Historical Houses River Oaks Meeting RoomProf. Dr. Harby Ezzeldeen Ahmed

5:00pm MDT

(Architecture + Archaeological Conservation) Keeping it Vertical: Use of GIS to create a streamlined survey and work order system for a historic landscape Texas Ballroom CJoseph Charap • Neela K. Wickremesinghe (Book and Paper) Looking Back and Taking Stock – A Journey through Past Projects Texas Ballroom DElmer Eusman-[Fellow] (Collection Care) Vibration testing and wandering of objects in a natural history collection Meyerland Meeting RoomWilliam Wei • Esther Dondorp (Electronic Media) Time-based Media Art Conservation Education Program at NYU: Concept and Perspectives Briargrove Meeting RoomChristine Frohnert • Hannelore Roemich (Objects) Conditioning Basketry Elements with Water and Ethanol: An Investigation into the Effects of Standard Conservation Methods Texas Ballroom BHayley Monroe • Ellen Pearlstein (Paintings) Evolon: Its Use from a Scientific and Practical Conservation Perspective Texas Ballroom ASusan Smelt • Robert Erdmann • Henk van Keulen • Katrien Keune • Kathrin Kirsch • Petria Noble • Andreas Siejek • Saskia Smulders • Gwen Tauber (Photographic Materials) How to Receive and Organize a Collection of 1 Million Photographs at Once? Material and Metadata Discussions Hunters Creek Meeting RoomRodrigo Bozzetti (Research and Technical Studies + Textiles) Roundtable Discussion River Oaks Meeting RoomMary W. Ballard • Dr. Nancy Odegaard • Dr. Margaret T. Ordoñez • Gwen Spicer-[Fellow]

5:30pm MDT

(Private Practice) Conservators in Private Practice Group Business Meeting Westchase Meeting RoomKerith Koss Schrager